#How to play dolby atmos movies movie
#How to play dolby atmos movies software

One of the things that Atmos has is these extra speakers between the side array and the screen so you can pull things slightly off screen. 'They donвЂ™t have to be moving, they can be static objects, like putting things just off screen. Things that are suited to being part of a channel, such as your LCR (left/centre/right), can still be part of a channel and yet you can add a sharp, dynamic, discrete sound that you want to sit on top of that channel based content and that will be an object. They are PCM audio, 48khz at 24bit, but itвЂ™s just not 'mixed together.' ItвЂ™s rendered on playback so we say itвЂ™s the best of both worlds.

They are kept discrete throughout the process and then the metadata is how they play back. The difference is theyвЂ™re not mixed together to a channel-based layout. You already have your dialogue stem, your music stem, your effects stem that add together to make your overall soundtrack which are channel based aspects, and on top of that you have your objects which are almost just another 'food group' added into that mix. 'Objects sort of sit on top of that,' says David Gould. So how do theses вЂњobjectsвЂќ relate to the traditional channel based multi-track session?

#How to play dolby atmos movies software

The Atmos system comprises mixing software with 3D panning to X/Y/Z coordinates The system is all about discrete audio elements, which Dolby calls вЂњobjectsвЂќ, that are positioned and moved within a 3D space.

The system comprises mixing software with 3D panning to X/Y/Z coordinates and decoding hardware that stores the audio and processes the mixing metadata to deliver discrete signals to up to 128 simultaneous and lossless audio streams (channels or sound elements) in real time, and allows for up to 64 discrete speaker feeds. Gizmag attended a demonstration of the Dolby Atmos system as a guest of Soundfirm, Australia's Oscar nominated audio post production facility, and we spoke with SoundfirmвЂ™s Bruce Emery (Technical Manager, Sydney) and Chris Goodes (Mixer/Sound Designer), as well as DolbyвЂ™s Stuart Bowling (Director of Market Development) and David Gould (Senior Product Manager) who conducted the demo. While the first Atmos release was PixarвЂ™s Brave in 2012, uptake in cinemas will take a little more time as, naturally, an investment in speaker and hardware upgrades is needed but many have already taken the plunge.

#How to play dolby atmos movies movie

By combining traditional channel-based audio (5.1 or 7.1 surround) with individual audio 'objects' the Atmos system has now launched movie soundtracks into the world of true 3D.Дisney, Fox, Pinewood Group, Sony Pictures, Skywalker Sound, Paramount and ToddAO are just some of the movie post production facilities to have recently installed Atmos mixing suites. The principle behind Atmos is one of constructing a 3D framework of independently controlled speakers completely lining the cinema, including the ceiling, to provide pinpoint accuracy for the origin and movement of individual sounds. Its latest creation, Atmos, has come at the perfect time to augment the unprecedented immersive experience of big screen 3D stereoscopic images. The name Dolby Laboratories has long been associated with innovative and world-leading sound reproduction.